What Art Is

What Art Is

Arthur C. Danto

Language: English

Pages: 192

ISBN: 0300205716

Format: PDF / Kindle (mobi) / ePub


What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, this book challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning.

The Origin of German Tragic Drama

Thinking Through the Imagination: Aesthetics in Human Cognition (American Philosophy)

Software Takes Command (International Texts in Critical Media Aesthetics)

The Aesthetico-Political: The Question of Democracy in Merleau-Ponty, Arendt, and Rancière

 

 

 

 

 

 

 

 

 

 

 

 

case, there is also the thought that he died for the viewer as Jesus died for Christians, so Marat is a corresponding martyr for the sansculottes, as the ordinary revolutionaries were called. But just as Jesus expected something of those present, namely that they should follow in his steps, there is an injunction that, since Marat died violently for the Revolution, you, the viewer, must follow in Marat’s steps. The viewers are part of the picture, even if not seen. David was addressing them as

here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives you your own naive impression of the scene before you.” Zola added to his characterization “from a few steps back, [the taches] give a striking relief to the picture.” Michelangelo had nothing before him. The interplay between surface and image was too intricate and complex to imagine that he could have painted it the way Lilla Perry would have painted a house by a tree, following Monet’s

resolves to be born in human flesh as a human baby, destined to undergo an ordeal of suffering of which only flesh is capable, in order to erase an original stigma of sin. This entire vast narrative was revealed, and the artists were charged with the task of making it credible. In Burlington Magazine the great British art critic Roger Fry wrote in an article titled “Madonna and Child by Andrea Mantegna”: “The wizened face, the creased and crumpled flesh of a new born babe . . . all the penalty,

unfamiliar carol. The first verse says: “A child, delivered on a stable floor. His mewing, newborn cry is all that God can say of hunger, thirst, and aching need.” And in the penultimate verse it says, “A man, in dying moments on a cross. His God-forsaken cry is all that God can say of searching, scarred, redeeming love.” God, who is eternal, would have no conception of either hunger or pain—and would require physical embodiment to know what these mean. Through the incarnation, it is nevertheless

Modern Art in May 2006. There was no photograph of the event, since that was forbidden by the Mexican authorities. Manet depended on newspaper accounts, and the details kept changing as the reports came in. At first, Manet supposed that the execution was carried out by Mexican guerillas, and he painted the firing squad wearing sombreros. Gradually, it became known that the firing squad was made up of Mexican soldiers in uniform—though far more tattered, as we know from a contemporary photograph,

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